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Textile handcraft guilds: a conduit for identity, friendships, and successful aging

机译:纺织手工行业协会:身份,友谊和成功衰老的渠道

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摘要

The purpose of this study was to explore inductively older women\u27s involvement in textile handcraft guilds as a conduit for interactions among textiles and their producers, successful aging, and friendships. Thirty women, representing 15 textile handcraft guilds and 8 different textile crafts, were interviewed throughout the state of Iowa. All informants were actively engaged in craft production and a guild. Content analysis revealed two superordinate themes, Craft as \u22I\u22 and Guild as \u22We.\u22 From these themes emerged a grounded theory of guild membership. Within the Craft as \u22I\u22 theme three minor themes surfaced: (a) Process, (b) Product, and (c) Continuation. Process represented the act of craft production, while Product referred to the finished craft object and the expectation of that product to fulfill the specified goals of the informants. Continuation depicted both the goals of the informants, and the function of the craft product, in craft perpetuation. The Guild as \u22We\u22 theme had two minor themes; For Self and For Self and Others. For Self referred to goals or benefits that were internalized by the women during guild interactions. For Self and Others represented the goals of the women to concurrently influence their own and other guild members\u27 guild experiences;Through membership in the guilds women made an effort to consciously provide structure to their lives. The women were able to achieve identity and affective as well as cognitive experiences through craft participation and the resultant products. Guild membership provided the women additional benefits that could only be obtained in the presence of other guild members. The guild\u27s structure promoted interaction among and between individuals in an egalitarian setting which fostered validation, the sharing of information, and friendships. The resultant social and craft support reinforced the women\u27s craft production, thereby intensifying the affective components available to the women. As the women increased their levels of guild activity, they also increased the opportunities and benefits that were available to other guild members. Through textile handcrafts and guilds, the women were able to fulfill goals in their lives that promoted successful aging.
机译:这项研究的目的是探索归纳式的老年妇女参与纺织手工业协会,以此作为纺织品与其生产者之间的相互作用,成功的衰老和友谊的渠道。在爱荷华州,采访了代表15个纺织手工艺品协会和8种不同纺织手工艺品的30名妇女。所有线人都积极从事手工艺品生产和行会。内容分析揭示了两个上级主题,Craft为\ u22I \ u22,Guild为\ u22We。\ u22从这些主题中出现了一个扎根的行会成员资格理论。在“工艺”主题中,出现了三个次要主题:(a)工艺,(b)产品和(c)延续。流程表示手工艺品的生产行为,而产品指的是完成的手工艺品对象,以及指该产品满足线人指定目标的期望。延续既描绘了信息提供者的目标,也描绘了工艺品永久化过程中工艺品的功能。公会主题有两个次要主题。为了自我,为了自我和他人。 “自我”指的是女性在行会互动中内在化的目标或利益。因为“自我与他人”代表了女性同时兼顾自己和其他公会成员的目标;公会成员通过努力成为有意识地为其生活提供结构的人。这些妇女能够通过参与工艺和由此产生的产品来获得认同,情感以及认知经验。公会的会员资格为妇女提供了额外的好处,只有在其他公会成员在场的情况下才能获得这些好处。行会的结构在平等的环境中促进了个人之间的互动,并促进了确认,信息共享和友谊。由此产生的社会和手工艺支持增强了妇女的手工艺生产,从而增强了妇女可获得的情感成分。随着妇女提高行会活动水平,她们也增加了其他行会成员可获得的机会和利益。通过纺织手工艺品和行会,妇女能够实现生活中促进成功衰老的目标。

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